The National Seminar on Children’s Film Sunflower Squadron was held.

On March 19th, a national seminar on children’s film Sunflower Squadron was held in Beijing. Xia Chao, Chairman of China Literary Critics Association, Nie Zhenning, Writer and Publisher, Jiang Ping, President of China Xia Yan Film Society, Rao Shuguang, President of China Film Critics Association, Chen Yingxian, President of China Puppet Shadow Play Art Society, Huang Jun, President and Secretary General of China Education Association, Yang Yinfu, Professor Peking University, Vice President of China Film Critics Association, and Huang Yichuan, President and Editor-in-Chief of Contemporary Film, Su Yi, Vice President of China Xia Yan Film Society, Jiang Zhitao, critic, Jia Yang Sang Zhu, young director and deputy director of the Foreign Affairs Office of China Film Group, Yan Zhen, secretary general of Jiangsu Film Association, and other experts and scholars, as well as Wu Xinlin, the third-level researcher of the Propaganda Department of Nantong Municipal Committee of the Communist Party of China, Fan Xiaoyan, member of the Standing Committee of Tongzhou District Committee of Nantong City, director of the Propaganda Department, Fei Chunhua, deputy director of Nantong Civilization Office, and Wu Zhixiang, deputy director of the Propaganda Department of Tongzhou District Committee of Nantong City of the Communist Party of China. Xu Jun, Chairman of Nantong Tongzhou Federation of Literary and Art Circles, Feng Zhang, Vice Chairman of Nantong Tongzhou Federation of Literary and Art Circles, Deputy Director of Children’s Sound Base and producer of Sunflower Squadron, Qiu Yongkang, Vice Chairman of Nantong Tongzhou Federation of Literary and Art Circles and Deputy Director of Children’s Sound Base attended the meeting.

National Seminar on Children’s Film Sunflower Squadron

This seminar is supported by China Literary Critics Association, China Film Critics Association, China Xia Yan Film Society and china children film association, sponsored by the Propaganda Department of Nantong Municipal Committee of the Communist Party of China and Nantong Civilization Office, and hosted by the Propaganda Department of Tongzhou District Committee of Nantong City, Nantong Civilization Office and Nantong Tongzhou "China in Children’s Voice" Children’s Art Innovation and Research Base, and specially hosted by Qian State, President of Jiangsu Children’s Culture and Art Promotion Association and Professor of Nanjing Art College.

Xia Chao, chairman of the Chinese Literary Critics Association, said: "Sunflower Squadron is an excellent children’s film that shows the features of the new era, guides children to establish correct values and aesthetics, not only touches people’s hearts with characters, plots and emotions, but also expresses our new pursuit in the new era. It is a rare and good film with enlightening power."

Nie Zhenning, a writer and publisher, commented: "I am very much in favor of this film of love. It vividly presents the education of love in a very poetic and bright way, full of truth, goodness and beauty, and educates people with love, so I think the success of this children’s film Sunflower Squadron is inevitable."

Jiang Ping, president of China Xia Yan Film Society, praised: "Sunflower Squadron is a rare excellent children’s film in the new era, which has broadened the horizons of children’s films in our eyes. I think we can use four words’ new’ to represent this film, that is, new era, new children, new landscape and new atmosphere. It stands in a new angle of the times and focuses on the spiritual outlook and mental journey of children in today’s society. It is a positive and sunny film, just like a warm current of love coming towards us. "

Rao Shuguang, president of China Film Criticism Society, said: "Aesthetic education plays an important role in children’s education, and children’s films are an important and effective means to strengthen aesthetic education. I think "Sunflower Squadron" is a children’s film with light. The style and lens of the whole film are very bright. Through the characters and stories in the film, an inner, positive and upward emotional force is constantly conveyed, forming a unique artistic style and aesthetic temperament. I hope to carry out a far-reaching spread, so that this good film can reach more audiences and let the audience see the film they want to see, and realize a two-way trip.

Chen Yingxian, president of the Chinese Puppet Shadow Play Art Society, said: "The children’s film Sunflower Squadron performed very well in detail. The characters in the film encouraged each other and grew up with each other. The images of sunflowers were superimposed in different ways, giving people a warm power. As an audience, I was also inspired and enlightened."

Huang Jun, president of china children film association, said: "This is a movie that knocks people’s hearts. It has a theme of great love, especially the love of special groups and minors, which requires the careful, vigorous and wholehearted love of the whole society. From the visual point of view, the whole film is warm and cold from beginning to end, and the spring tone dominated by warmth is picturesque, full of vitality and pleasing to the eye. The visual tone blends well with the narrative and characterization of the film, which enhances the aesthetic and ideological strength of the whole film. The viewing experience of Sunflower Squadron is very enjoyable, enjoying four beauties-human beauty, emotional beauty, beautiful scenery and musical beauty. "

Yang Yinfu, vice president and secretary general of China Education Association, said: "Sunflower Squadron is a children’s film and an educational film. The theme of the film reflects inclusive education, so that no child is left behind and every child has a chance to shine in life. The film is full of sunshine, friendship and positive energy, expressing warm realism. It is precisely because of the teachers’ love, care and patience that miracles happen and Mo Li is cured because of their attitudes, emotions and wisdom. "

Professor Peking University and Zhang Yiwu, vice president of China Film Critics Association, affirmed: "I think this film is really a very meaningful and weighty work. It pays attention to such a unique theme as’ integrated education’, and integrates poetic and romantic spirit into the film, which strengthens the symbolic significance of sunflower, not only showing the gradual growth of the protagonist Mo Li, but also the spiritual improvement of other children and the improvement of value and cognition due to the arrival of Mo Li in the whole class, including We should further increase the spread of the film and realize the long tail effect. "

Huangfu Yichuan, president and editor-in-chief of Contemporary Film, said: "Sunflower Squadron, a children’s film, is a vivid film that pays attention to teenagers’ mental health, shows integrated education and cultivates teenagers’ healthy values. It provides a love education and artistic aesthetic experience at the social, school and family levels, and at the children’s psychological and aesthetic levels. From the perspective of film and television education for primary and secondary school students, children want to watch and deserve to watch, and should be recommended to primary and secondary school students. "

Su Yi, vice president of China Xia Yan Film Society, said: "Sunflower Squadron is a well-intentioned children’s work, which is full of the love of the creative team for children. Both adult actors and children actors have performed brilliantly and found a very good combination of real life and artistic truth. For such an excellent film, we should think about how to maximize its social benefits. " Jiang Zhitao, editor of the critic, said with deep feelings: "This is a work of conscience full of great love in the world. As an old audience of nearly 80 years old, I felt a lot after watching the film. I want to express my gratitude to the film creative team. Thank you for offering healthy and delicious spiritual food for the children, so that the children can grow up in happiness and beauty."

At the seminar, the film’s creative representatives shared their feelings about the film’s creation. Yingqi Chan, the "Top Ten Directors" in China and the director of the children’s film Sunflower Squadron, told the behind-the-scenes story emotionally. He said: "The film’s creation lasted for seven years, and it was easy to draft it. We always held a persistent attitude of being meticulous and striving for perfection, hoping to present an excellent children’s film for children in the new era and guide them to embrace the world with love." Brush brush, a children’s literature writer and the original author of Sunflower Squadron, said: "Thank you for putting my literary works on the screen, showing them to small audiences in a more vivid way, bringing them new experiences and giving this work new meaning and connotation." Xue Mei, the screenwriter of Sunflower Squadron, also described the psychological process of script creation, and revealed his heartfelt wishes of creating for children in persistence, exploration and development.

Fan Xiaoyan, member of the Standing Committee of Tongzhou District Committee of Nantong City and Minister of Propaganda Department, said in his speech: "The experts and critics present here are flag representatives in the fields of film and television art and children’s education, and they have rich experience and unique opinions. I believe that through today’s exchange, we will benefit a lot, collide with sparks of thought, help Sunflower Squadron go deeper, higher and further, and provide valuable inspiration and reference for our future research work. Fei Chunhua, deputy director of Nantong Civilization Office, expressed his gratitude to experts and scholars, film creative teams and cast members, children’s literary and art workers and literary volunteers on behalf of the seminar organizers, and further said: "I hope that all children’s literary and art workers and volunteer service teams will make persistent efforts under the careful guidance of experts, constantly innovate forms and enrich carriers, create more masterpieces to guide the healthy growth of children, promote the cultural construction of children and the prosperity and development of children’s literature and art, and make more contributions to promoting the growth of children."

The children’s film "Sunflower Squadron" was directed and supported by the Propaganda Department of CPC jiangsu provincial party committee and the Civilization Office of Jiangsu Province, jointly created by the Propaganda Department of CPC Nantong Municipal Committee, Nantong Civilization Office and the Propaganda Department of CPC Nantong Tongzhou District Committee, jointly produced by Nantong Tongzhou "China in Children’s Voice" children’s art creation and research activity base and Jiangsu Film Association, jointly produced by Nantong Grand Hyatt Culture and Art Communication Co., Ltd. and Nantong Intercontinental Virescence Expo Co., Ltd., and adapted from the novel of the same name brushed by the writer. Directed jointly by Yingqi Chan, the "Top Ten Director" in China, and Chen Juzhi, a young director, and written by Yingqi Chan, Xue Mei and Yang Xiaomeng, the young actors Yang Jinchen, Tian Yulin, Li Zixi, Jia Zixuan and Cao Yile were invited to star, and famous actors Hou Yong and Guo Guangping, Xiaohuan Wei, Sun Lan, Gao Fei, Cao Jun, He Da and Zhang Songnian were invited to participate in the performance.

Producer Feng Zhang introduced that since its release, the children’s film Sunflower Squadron has been shown in urban cinemas and primary and secondary schools, and has been invited to be shown in the training class of minors’ mental health counseling of the Central Civilization Office and the National Education and Training Conference of the National School of Education Administration, and broadcasted in the prime time of CCTV6 movie channel, winning two nominations of "Best Screenplay Award" and "Best Actress" at the 2nd Hong Kong Bauhinia International Film Festival and "Light Year Cup" as the "Outstanding Film of the Year" at the 13th Beijing International Network Film Festival.

In order to give full play to the educational function of the film, actively use excellent films to carry out film and television education activities in primary and secondary schools, and implement the fundamental task of educating people in Lide, the children’s film "Sunflower Squadron" organized a campus tour, which was shown in more than 500 primary and secondary schools one after another, benefiting more than 600,000 children and pushing the film into the campus, classes and children. In addition, we also cooperated with Jiangsu Women and Children Welfare Foundation to establish the "Sunflower Squadron Charity Fund", and opened up channels for public fundraising. All the funds raised were used to organize the children’s film Sunflower Squadron to watch movies, as well as to carry out public welfare activities related to youth film and television education, which widely condensed social charity forces, effectively promoted the normalization of film and television education activities, and created a strong atmosphere in which the whole society cared about the growth of young people. (Tong Xuan)

Fukuhara Ai retired, but the story of table tennis between China and Japan continues.

  CCTV News:If one day any foreign table tennis player can win a medal in the Olympic Games, I hope it is Fukuhara Ai;

  If one day I can only support one foreign table tennis player, I think it will be Fukuhara Ai.

  There are less than 100 days before 2019 and less than two years before the Tokyo Olympic Games, so without warning or a trace of preparedness, Fukuhara Ai told us that he had retired.

  Fukuhara Ai Weibo announced his retirement.

  Fukuhara Ai is probably the first Japanese athlete who received a blessing from netizens in China because of his retirement. As of press time, the Weibo that she announced her retirement has received more than 70,000 reposts, more than 70,000 comments and more than 620,000 likes. I wish her a happy life.

  Fukuhara Ai is probably the first Japanese athlete who "alarmed" the Ministry of Foreign Affairs of China because of his retirement. At the regular press conference of the Ministry of Foreign Affairs on the 22nd, Hua Chunying, a spokeswoman for the Ministry of Foreign Affairs, said that Fukuhara Ai was "loved not only by the Japanese people, but also by many people in China" and was "very cute, and also had outstanding performance in the field of table tennis".

  As of press time, Fukuhara Ai announced his retirement from Weibo’s comment 7w+, forwarded 7w+ and liked 62w+

  Fukuhara Ai, who has a round face and a crisp smile, can be said to be a Japanese athlete "watched and grown up" by netizens from China and Japan. Fukuhara Ai has been training under the guidance of coach China since he was five years old. In the long run, Fukuhara Ai has also forged a deep friendship with China players and even China. In addition to being beaten and crying in the game, Xiao Ai also shed tears in the Wenchuan earthquake in 2008. She has always been a lively wave and she is quite depressed in front of the reporter’s camera. "Japan went to 60 people (rescue), so xx is not enough. I am going, at least 61 people." It is this lovely appearance that left a deep impression on China fans, and Fukuhara Ai also had a nickname "porcelain doll". Familiar fans can know a little about her.

  Knowing that four-year-old Xiao Ai participated in the national competition for the first time, she lost her shoes happily when winning, and cried in her mother’s arms after losing; Knowing Xiao Ai’s stubbornness with tears in her eyes and insisting on finishing the training task; Knowing that Xiaoai can say "dry ha" with an authentic northeast accent, knowing that Xiaoai and table tennis players have close feelings, he brings him Japanese cookies every time he meets ZhangJike; I also know that Xiao Ai fought against the three generations of big devils of China table tennis women’s team from Zhang Yining to Li Xiaoxia and then to Ding Ning … …

  The great devil of running water, Fukuhara Ai made of iron. Fukuhara Ai rarely wins against China athletes in international competitions, and his career has been shrouded in the shadow of the "big devil" of table tennis, which is helpless. The advantage of China table tennis team, especially the women’s team, over other players is hellish.

  Fukuhara Ai made his first sound after he announced his retirement, thanking the fans in China and China.

  It’s really distressing that Fukuhara Ai tried her best but couldn’t win, but that doesn’t prevent her from making great contributions to the rapid development of Japanese table tennis. He was selected to the national team at the age of 12 and made his Olympic debut at the age of 15. From 2003 to 2016, Xiao Ai gradually became the absolute core and leader of Japanese women’s table tennis. The younger generation regards her as an idol. Japanese table tennis player Ito Meicheng once said: "Looking at Captain Fukuhara, I know very well that it is not easy for her to bear the name of Japan. If I can become a captain in the future, I also want to be a player like her."

  Under her leadership and influence, a new generation of Japanese players also became attached to China. These players, who were trained in China since childhood, or developed under the training of China coaches and sparring partners, helped Japanese table tennis to make rapid progress, but also laid a deep "China brand". With Fukuhara Ai, a beloved predecessor, as an example, they also gained a lot of "audience affinity" in China.

  More importantly, with Fukuhara Ai’s great concern and the continuous improvement of Japanese table tennis level represented by her, the Japan Table Tennis Association is also making great efforts to develop this sport. Since 2003, the Japan Table Tennis Association has established a national team for primary school students, adjusted the training mechanism of age groups, conducted regular closed training and overseas competitions, and strengthened the training of grassroots coaches. In 2008, the Japan Table Tennis Association built a national training center in Tokyo, and absorbed some professionals including coaches from China and other places, which became the training base of the Japanese table tennis team. Moreover, the Japanese table tennis team has established a system of substituting competition for training, and specially trained a group of players to participate in the world series of adult groups from the age of fifteen or sixteen, which made them feel the atmosphere of the competition ahead of the players of the same age in our country and increased their competition experience.

  In the past two or three years, we can see that although the national table tennis still has absolute advantages, Japanese table tennis has made rapid progress. On the men’s team, Zhang Benzhihe, whose parents are both from China, has defeated Malone, ZhangJike and Fan Zhendong successively. On the women’s team, Meicheng Ito defeated the world champion Liu Shiwen in this year’s team table tennis World Cup finals. It can be seen that Japan’s challenge model to China has taken shape.

  As we all know, from the ITTF to the national associations, from the constant changes in table tennis materials to the changes in the points system and the addition of mixed doubles, it is a "clear thing" to try to limit the absolute advantage of China, and the China table tennis team is also happy in this "encirclement and suppression". Because in the long run, it will do more good than harm to table tennis and the China team. After all, for sports, only more intense competition and stronger suspense can attract more audiences and promote the technical level to a higher level.

  Next, Tokyo, Japan, in 2020 is the focus of preparation and competition between China and Japan in the past four years.

  Wait and see!

  (Text/Liu Chang Zhu Xinyu)