标签： 松江大学城快餐服务

On the 39th day after Zhou Zhe’s death, "Office Xiao Ye" officially resumed the video update. And Zhou Zhe’s life, forever fixed at the age of 14.

On August 22nd, Zhou Zhe and Xiaoyu, two girls in Zaozhuang, Shandong Province, imitated the short video released by online celebrity, and exploded when they made their own popcorn in household cans, killing one person and injuring another. Zhou Zhe’s family said in an interview with the media that the two girls used their mobile phones to watch a short video of "Pop-can Homemade Popcorn" posted by online celebrity called "Office Xiao Ye" in Tik Tok.

Zhou Zhe’s death has aroused great public concern. The responsibility of family members, "Office Xiao Ye" and short video platform has become the focus of hot discussion. The "Office Xiao Ye" team reached a settlement agreement with the families of the two girls by paying aid. After the accident, Zhou Zhe’s family also contacted the Tik Tok platform, hoping that the other party would be responsible for the consequences of its poor supervision. "But they shirked that they are customer service and can’t manage this matter." Zhou Zhe’s father told reporters.

Zhang Shiwen, a lawyer of Shanghai Huiye Law Firm, said that bailout money is an economic subsidy provided by one party to the other for humanitarian reasons, not a legal definition. The party providing the aid is not necessarily at fault. The compensation is usually the money paid by the responsible party to the injured party.

Today is the 49th day of Zhou Zhe’s death. By the end of July, Zhou Zhe’s family didn’t wait for compensation, only "relief money". No one admitted responsibility for Zhou Zhe’s death except Zhou Zhe’s parents.

Although the short video of "Pop-can Homemade Popcorn" released by "Office Xiao Ye" has been removed from the shelves in Tik Tok, when the reporter searched on other short video platforms with related keywords, it was found that there are still similar videos spread without safety tips.

The question that the public cares about is: Can Zhou Zhe’s death bring about changes? How to avoid the recurrence of tragedies in the future?

Chen Tangfa, a professor at the School of Journalism and Communication of Nanjing University and a scholar of media law, believes that the platform party should do its duty to remind the spread of short video content with obvious risk or probability of injury on the premise that minors constitute an important component of its users. In addition, he suggested that the relevant departments should increase their legal obligations to short video uploaders. "Short video producers should be required to give necessary explanations on the possible dangers of their videos and how to avoid them."

Traceability:

Two underage girls imitated "pop-can homemade popcorn", one died and one was injured.

On August 22, 14-year-old Zhou Zhe and 12-year-old Xiao Yu exploded while making popcorn in household cans.

In an interview with the media, Zhou Zhe’s family said that the two girls watched a short video of "Pop-can Homemade Popcorn" posted by online celebrity called "Office Xiao Ye" on Tik Tok on the same day, so they also learned to make popcorn. The first time alcohol was ignited, the corn did not turn into popcorn, and after alcohol was poured again, it exploded.

Both girls were burned to varying degrees. Among them, 14-year-old Zhou Zhete was severely burned to 96% and died on September 5.

This incident has aroused public concern. Regarding who should be responsible for the accident, Zhou Zhe’s family believes that the family members are responsible, but the video publisher "Office Xiao Ye" and the platform Tik Tok are also responsible. They have proposed to sue the video publisher and the short video platform.

"Office Xiao Ye" responded in Weibo, saying that Zhezhe’s and Xiaoyu’s accidents were by no means imitating their own videos, but they were willing to provide whatever help they could for Xiaoyu’s follow-up treatment and Zhezhe’s family, and would continue to launch strict self-examination, permanently removing all videos with potential security risks from their accounts on the whole platform.

According to the Beijing News, representatives of the "Office Xiao Ye" team went to Zaozhuang, Shandong Province on September 16th to meet and discuss with Zhou Zhe and Xiaoyu’s family members. The two sides agreed not to consider the division of responsibilities, but only to talk about how to deal with the aftermath. Later, on 17th and 18th, the "Office Xiao Ye" party reached a settlement agreement with Zhezhe and Xiaoyu’s family one after another, giving them a one-time aid.

Zhang Shiwen told reporters that aid money is common in reconciliation and mediation mechanisms. "From a legal point of view, the party providing the aid is not necessarily at fault, and the amount is not specified."

Zhang Shiwen also mentioned that according to the law, compensation is usually paid by the responsible party to the injured party, "that is, the responsible party damages the interests of others in the course of its behavior and pays the injured party in cash, in kind and other material ways. The calculation method of compensation will have a corresponding legal basis and the amount is usually greater than or equal to the losses actually suffered by the injured party (such as property losses, personal injuries, etc.). "

Less than a month after the signing of the settlement agreement, "Office Xiao Ye" took the lead in restoring the video update of Weibo’s account on October 14th. Subsequently, it was resumed and updated on today’s headlines, watermelon videos, WeChat WeChat official account, volcano videos and platforms such as bilibili and Tik Tok.

The reporter tried to contact the two parties about the content of the agreement. Zhou Zhe’s father said that when signing the agreement, he had promised the other party not to disclose the settlement information. The "Office Xiao Ye" party failed to give the reporter’s WeChat application, and Weibo and WeChat WeChat official account did not reply to their private letters about the interview.

Regarding the prosecution of the Tik Tok platform mentioned earlier, Zhou Zhe’s father told reporters that the matter has been handled. When he signed a settlement agreement with "Office Xiao Ye", he agreed not to pursue their responsibility with the Tik Tok platform. "I can’t break my promise and can’t pursue it again."

According to Peng Dingdai, a professor at Nanchang University Law School, there are three types of subjects who should bear the responsibility in this accident. One is the guardian of the minor who has no ability to distinguish and control certain things, that is, the parents of the victim; The second is the producer of the video. As an adult, he should expect others to imitate his video, which is likely to lead to danger, so he should give safety tips in prominent parts of the video. The platform for video distribution is the third party that needs to be responsible.

"The platform should fulfill its obligation to censor videos containing bad information, including those that are dangerous, lead people to commit suicide, pornographic, etc." As for the specific responsibility, Peng Dingdai said that evidence is needed in law.

Phenomenon:

Short video imitation causes casualties or public security incidents from time to time.

A Jian still has a scar on his right eyelid, which was left after he failed to imitate an action challenge short video called "double somersault".

This is an action that needs to be completed with friends, that is, two people stand face to face, one person bends down and puts his hands out from the middle of his legs; The other person grabs his outstretched hands and flips them up 180 degrees. If he succeeds, he will finish riding his waist, and if he fails, he will be injured.

Two years ago, when the short video was just on fire, A Jian liked to watch some creative, spoof and interesting videos. After watching many short action videos, he chose some actions suitable for challenging with his friends and successfully completed them many times. A Jian told reporters that he also watched a lot of highlights of the failure of such action challenges. "I feel that I have no problem and I can do it completely."

Unexpectedly, failure came. When challenging "double somersault" with a new friend, the other party used too much force when turning up, and the direction was not accurate. His forehead suddenly hit Ajian’s glasses. "The glasses burst on the spot and his eyes could not be opened."

Recalling the scene at that time, A Jian was scared in his heart. "Fortunately, it is not serious, otherwise his eyes may be blind."

A Jian’s injured right eye and cracked glasses (photo courtesy of the client)

The reporter then searched and found that the video of "double somersault" can still be seen on many platforms, and some of them have added a warning that "this behavior is risky, please don’t imitate it easily", but there are still more videos not attached. Such casualties or public security incidents caused by imitating short videos have occurred many times in all parts of the country.

According to Hubei Jingshi, last year, a father in Wuhan also failed to challenge his two-year-old daughter to "double somersault", and missed when he flipped 180 degrees upwards, resulting in the child’s head landing, serious spinal cord damage and inability to move his upper body.

Also last year, "Live Hainan" reported that three children in Ding ‘an County, Hainan were injured by firecrackers because they imitated the live video of fast hands to make "Mountain Pig Cannon"; The Legal Evening News reported that an 8-year-old boy in Xi ‘an, Shaanxi Province, imitated the video of Tik Tok’s "sticky tape on the door", causing his 6-year-old brother to fall and be covered in blood.

According to Weibo, the official of Shaoshan Public Security Bureau, Hunan Province, two men who had drunk were driving their motorcycles home, so they imitated a short chat-up video and blocked a lady on the road. After the police arrived at the scene, the two men also pushed and insulted the police. Finally, the two were sentenced to administrative detention for 20 days respectively.

According to Zhang Shiwen’s analysis, video publishers generally have a mature operation team and a huge fan base. Short videos are widely spread on the Internet as soon as they are issued, and video viewers lack professional guidance when imitating short video content, which is more likely to be dangerous.

Behind:

Netizens imitate short videos and have frequent accidents. online celebrity earns considerable income by realizing traffic.

The "Xiao Ye in the Office" in the incident of "Girl Imitates Homemade Popcorn and Dies" was hailed as the first online celebrity in 2017. She became popular on the Internet with her brain-opening food videos. Her representative works include cooking hot pot with a water dispenser in the office, roasting fat beef with an iron, and spreading pancakes in the box.

With its huge traffic, "Office Xiao Ye" realized the realization of revenue and performed well in entering overseas platforms. According to a special report in The China Journal, she ranks first in the number of fans in China, a YouTube platform. Previously, NoxInfluencer, a platform for analyzing YouTube’s online celebrity data, announced the income of YouTube in online celebrity: the monthly income of advertising alliance in office Xiao Ye is 4.59 million, and the annual dividend is expected to be 55.08 million.

However, Nie Yangde, CEO of Xiao Ye’s Onion Video, once told the media that the data is not true, but Xiao Ye’s income on YouTube is indeed considerable.

When the reporter browsed the Tik Tok platform, he found a short video producer "Wanzi Mo" who is as creative as "Office Xiao Ye". She has more than 8 million fans and was certified as "creator of quality life field" in today’s headlines.

In the video, the self-made barbecue grill, juicer, etc., the sharp objects such as wood saws, chainsaws, sickles, etc. are still visible, and several videos browsed randomly by reporters have no step descriptions and safety risk tips, so users, especially minors, are prone to accidents when imitating.

In the name of business cooperation, the reporter consulted the company where "Wanneng Zimo" is located, and the other party replied to an October business price publication.

In the example, the reporter saw that in a short video platform, the company’s 11 IP accounts have different charges for business promotion according to the total number of fans, the total number of works and the total number of likes. In the promotion of 0-20 seconds, the "hand price" ranges from 7800 yuan to 108000 yuan, and in the range of 21-60 seconds, the price ranges from 9000 yuan to 180000 yuan.

In this network era, everyone can be a online celebrity, and it can be a fire in minutes. For users, in addition to watching these videos released by online celebrity, many ordinary people also want to pick up their mobile phones and shoot videos to get more likes and onlookers.

At this time, imitatable content is more likely to stimulate users to spread. In particular, fun, interesting, novel and even curious movements, dances and plots are all elements that users prefer to imitate. These conditions are often linked to their traffic and are easily recommended by the platform and become explosions.

The short video platform quickly gathers users of the same kind by challenging, bringing topics, bringing labels, etc., so the popular short videos such as "splashing water into ice" and "ice drift" are all dangerous, the former may be scalded, and the latter will lead to drowning.

According to media reports, in the first two days of this year, there were three drowning accidents caused by driving on the ice in Shanxi, Tianjin and Heilongjiang.

The reporter searched for "splashing water into ice" under the "topic" column of Tik Tok platform and the "tag" column of Aauto Quicker platform, and found that there were 9,388 videos under the topic of the former platform, with a broadcast volume of 240 million times, while there were 219 works in the tag of the latter. The reporter randomly browsed several videos on the two platforms and found that there were no security risks.

After the girl passed away imitating homemade popcorn, the related videos have been removed from the Tik Tok platform. However, when the reporter searched on other short video platforms with related keywords, he found that there are still similar videos without safety tips.

Expert:

The short video platform needs to consider both economic and social benefits.

Accidents happen frequently when imitating short videos. Why are there still many video contents with hidden risk factors in major short video platforms?

Chen Tangfa believes that this is because the iron law of market economy-"high risk must be accompanied by high return" is also reflected in the pursuit of Internet content. "The curse of’ traffic is king’ urges network service providers to ignore content security intentionally or unintentionally, and’ risk’ can become a’ selling point’."

After such accidents, short video platforms have repeatedly fallen into controversy. Tan Tian, a professor at the School of Journalism and Communication, Jinan University, said that the platform has the responsibility to regulate and explain such videos with security risks and involving technology.

"Office Xiao Ye" once said in an apology that he was reminded by a private letter from @ Chengdu Public Security Fire Brigade Guan Wei before he realized that there might be security risks in the video. Later, they added dangerous operation tips to videos that thought there were hidden dangers. "Now it seems that such tips are far from enough." She wrote.

Tan Tian told reporters that for this kind of online celebrity who has reached a certain number of fans, the greater the traffic, the greater the social responsibility, and their every move will have an impact. "online celebrity is not aware of this (safety hazard) problem, and the platform side should strengthen supervision."

Peng Daiding believes that maintaining a civilized, clean and green network environment is not only a legal responsibility, but also a social responsibility for platform operators.

"(The platform side) can’t just be an indicator of profit, but should assume corresponding social responsibilities and consider economic and social benefits as a whole."

With the rapid development of short video industry, chaos followed. From the recent death of "girls imitating homemade popcorn" to the collective praise of underage mothers before, from eating raw pork to using "dirty jokes" and other eyeballs, strengthening supervision has long been a public concern.

The government level has responded one after another. The relevant regulatory authorities have talked about the short video live broadcast platform many times, asking it to further improve the mechanisms such as content review and release, security policy management, and use the correct values to guide the algorithm to create a clean and honest cyberspace for the majority of netizens, especially teenagers.

On January 9th this year, China Network Audiovisual Program Service Association issued two industry specifications, namely, Management Specification for Network Short Video Platform and Detailed Rules for Auditing Standards for Network Short Video Content. The requirements for the network platform are higher, the standards for content audit are stricter, and the platform management is more operational.

In order to prevent minors from indulging in short videos, since April this year, the National Network Information Office has guided short video platforms such as "Tik Tok", "Aauto Quicker" and "Volcano Video" to pilot the online anti-addiction system for teenagers.

For the supervision of short video platforms, Peng Daiding believes that the platform itself can pre-audit the video content by using automatic identification and other technical means, while for those whose technical audit can not meet the requirements, it is necessary to invest some funds to strengthen manual audit.

Tan Tian suggested that the platform should set certain standards for the uploaded video content, and any citizen can report any violation of the standards. In terms of manual audit, he said that the platform can mobilize netizens or relevant experts and scholars to set up professional committees.

"Some of them can be handled by algorithms and machines, and some of them can’t be handled. They must be manually reviewed. Is there anything wrong with the content and whether there are any security risks? Will it induce young people, especially those with large fans and traffic, and they need manual review. (These) can’t save trouble, and the platform user base is large, so it is necessary to strengthen the responsibility. "Tan Tian said that if the manual can’t judge, you can hire relevant experts to judge." Some hidden danger experts can see the problem, such as those involving fire, and need fire experts to look at it. "

Chen Tangfa suggested that relevant departments need to increase their legal obligations to short video uploaders. "Short video producers should be required to make necessary explanations on the possible dangers of their videos and how to avoid them. This explanation should be regarded as an important element for uploading short videos, otherwise, no matter whether actual injury incidents occur or not, they will be held accountable."

The second is to strengthen the actual effect of user reporting. That is to say, if the content reported by the whistleblower is really dangerous, the administrative fine for investigating the responsibility of the platform will be rewarded to the whistleblower according to a certain proportion, and it is indeed a combination of "everyone’s responsibility" and "everyone’s benefit" to truly implement the network governance principle of group prevention and group governance by legal means.

According to the statistics of "China Audio-Visual Big Data" (CVB) system, from September 1 to September 30, the average daily viewing time of cable TV and IPTV TV viewers nationwide was nearly 6 hours, which was the same as that in August.

Overall overview

This month, the theoretical special program "Open Book Makes sense", "This is China" and "Time Question and Answer" publicized and explained the Supreme Leader’s Socialism with Chinese characteristics Thought in the new era through different program themes; The anti-Japanese war TV series was broadcast on multiple channels, creating a good atmosphere, and the time report drama "Together" was warmly launched, which moved the audience to get attention; The main station launched a series of variety shows in conjunction with the major nodes of the 75th anniversary of the victory of the Anti-Japanese War to promote the great spirit of the Anti-Japanese War. The variety shows of local satellite TV helped to get rid of poverty and enrich people’s lives. Domestic documentaries on the theme of anti-Japanese war, poverty alleviation and anti-epidemic were broadcasted on the screen; Domestic cartoons lead the mainstream of this month’s cartoon broadcast; The public service advertisement of "Commemorating the 75th anniversary of the victory of the Anti-Japanese War" combined with important time nodes to strengthen the publicity effect, and the number of public service advertisements of "Poverty Alleviation" was over 10,000.

The special program "On the Field of Hope" of "Open Book Makes sense" (Inner Mongolia Satellite TV) went deep into the front line of poverty alleviation through theoretical experts, youth representatives and other experiencers, visited and experienced the achievements of poverty alleviation in Inner Mongolia, and showed the good life of ordinary people. The program was broadcast for three times, which was loved by the audience, especially the local audience. In Inner Mongolia, the average audience rating of each period was 0.466%, ranking among the top 5 in the local local satellite TV programs at the same time.

This is China (Oriental TV) is called "Countering Western Prejudice", "Westward Advance" and "New Cold War between China and the United States?" As the theme of the program, this paper discusses how to counter the western prejudice, the strategic significance of the country’s western development, and the reasons behind the United States’ desire to provoke a "new cold war". The three programs have received good ratings feedback, with a national average rating of 0.266%, ranking among the top five in the ratings of local TV programs in the same period.

The four programs of Time Question and Answer (Jiangsu Satellite TV) have the themes of "Leading high-quality economic development with new development concepts", "Making friends with all over the world to write brand-new chapters", "Great anti-epidemic spirit to light the way forward" and "Striding forward towards the world-class army", with an average loyalty of 71.004% and high program stickiness.

The TV series with anti-epidemic theme has good viewing effect　

The time report drama "Together" was warmly broadcast.

This month, a total of 74 plays were broadcast in prime time, of which 14 were premieres, and the average comprehensive ratings of 9 plays exceeded 1%.

The anti-Japanese war TV series is broadcast on multiple channels, with good viewing effect and good broadcasting influence. This month, 25 TV channels broadcast a total of 28 revolutionary TV dramas. Among them, there are 13 plays by the State Administration of Radio, Film and Television to commemorate the 75th anniversary of the victory of the Anti-Japanese War. The average arrival rate of each episode of "The Hunter" (CCTV8) is 2.710%, and the audience rating is 1.574%. Both indicators rank first in this month’s prime-time TV series. The average audience rating of CCTV1 per episode is 1.144%, and the arrival rate is 1.994%, ranking fifth in the prime-time TV series this month.

The time report drama "Together", which was mainly directed by the State Administration of Radio, Film and Television, was warmly launched and moved the audience to be affirmed. "Together" is based on real people and stories during the anti-epidemic period, and tells the story of ordinary people coming forward. On September 29th, the drama was jointly broadcast in prime time on four channels, namely Oriental TV, Jiangsu TV, Zhejiang TV and Guangdong TV. The average comprehensive audience rating of each episode in the opening week was 1.056%, and the number of users was the first. At the same time, the short drama form of the story unit of the reportage drama in this era was recognized by the audience and won both ratings and word of mouth.

CCTV launched a series of variety shows to commemorate the 75th anniversary of the Anti-Japanese War.

Local TV variety shows help poverty alleviation and enrich people’s lives.

CCTV launched a series of variety shows to commemorate the 75th anniversary of War of Resistance against Japanese Aggression’s victory. "Hero in Poster" (CCTV3) takes the classic movie poster as the entry point, and integrates short play, chorus, scene dance and interviews to lead the audience to approach history and cherish the memory of martyrs in the image. The average audience rating of five programs is 0.597%. In addition, "My Art List: Art Companion in Suffering Glory" (CCTV3), the audience rating is 0.462%; Loud Echo: March towards Victory (CCTV3), with the audience rating of 0.610%; "Victory Time" (CCTV3), the audience rating is 0.427%. The four programs all rank in the top 10 in the ratings of the same period.

The first lesson of school brings together the power of example, and the publicity effect is remarkable. The program was broadcast on CCTV1 at 20: 00 on September 1, inviting representatives who made outstanding contributions in the anti-epidemic process to tell touching anti-epidemic stories, so as to teach primary and secondary school students the "first lesson". The publicity effect of the program is remarkable, with the ratings (5.858%) and the arrival rate (10.688%) ranking first in all kinds of programs this month.

Local satellite TV actively innovates the form of variety shows, and helps the decisive battle to win the battle against poverty in all directions. "Youth on the Earth" (Hunan Satellite TV) takes youth as its theme, integrates various artistic means, records ten kinds of youth for poverty alleviation, and tells the story of young poverty alleviation workers who have experienced poverty alleviation. The highest ratings of the three programs are 0.600%, ranking second in the ratings of local satellite TV programs in the same period; "We are in Action ⅴ" (Dragon TV) entered Xixian County, Shanxi Province this month to help the sales of local specialty agricultural products. The average audience rating of the three programs was 0.201%, and the loyalty was over 50%. "Extreme Challenge Treasure Tour, Three Districts and Three States Public Welfare Season" (Oriental TV) continued to explore the unique scenic products and characteristic culture of "Three Districts and Three States", and used innovative sales methods such as "Treasure Night Market" to help local poverty alleviation work. The average audience rating of the four periods was 0.431%, ranking among the top three in the audience rating of local TV programs in the same period.

Local satellite TV has enriched people’s lives with poems, paintings, food and music. "There are Poems and Faraway Poems and Paintings in Zhejiang" (Zhejiang Satellite TV) ended warmly, and led the audience to visit Zhejiang with eight wonderful programs, which was well received by Zhejiang audiences, with an average local audience rating of 0.790% per issue; Unforgettable Restaurant II (Oriental TV) pays attention to the elderly people with cognitive impairment and provides them with more effective and implementable care and actions, with an average loyalty of 59.804% per issue and high program stickiness; "Good Voice of China 2020" (Zhejiang Satellite TV) incorporates original elements, and the average audience rating of the four programs is 0.980%, ranking first among local satellite TV programs in the same period; "King of Cross-border Songs V" (Beijing Satellite TV) ended brilliantly, and the whole season’s programs were listed in the top five ratings of local satellite TV programs at the same time.

Anti-Japanese War, Poverty Alleviation and Anti-epidemic Theme

Domestic documentary screen hit

The anti-Japanese war documentary leads the audience to relive the history of the anti-Japanese war and continue the revolution. "Shanxi-Chahar-Hebei Border Region" (CCTV4) reflects the history of the Communist Party of China (CPC) leading the people’s armed forces to resist Japan, and has gained a large audience. The average arrival rate of each episode of the first broadcast is 2.051%. "A Watch and the September 18th Incident" (Beijing Satellite TV) restored the truth of the September 18th Incident, ranking third in local TV programs at the same time with a rating of 0.389%. CCTV9 tells the heroic story of the heroes of the Anti-Japanese War who gave their lives for national independence at a critical juncture, with an average audience rating of 0.145% for each episode.

The documentary on poverty alleviation continues to heat up. "One Village, One Village" (CCTV4, CCTV9, CCTV13, CCTV17) maintained excellent ratings, with the highest rating of 0.844% in a single episode; "Concentrate on Well-off Society" (Hebei Satellite TV) reflects the brilliant achievements of Hebei Province in winning the overall well-off society. The program is highly viscous, with an average loyalty of 57.760% per episode.

Anti-epidemic documentary records anti-epidemic stories in all directions. "One Heart Fighting" recorded the arduous course of the Communist Party of China (CPC) leading the people of the whole country to unite as one and fight against the epidemic. The average audience rating of each episode on CCTV1 was 1.159%, and then it was broadcast on 36 TV channels. "Wuhan War Epidemic" (Hubei Satellite TV) focuses on the development and changes of the epidemic situation, recording the feats of ordinary people in heroic cities. The average audience rating of each episode in Hubei Province is 0.307%, ranking the top 5 in the ratings of local satellite TV programs at the same time.

In addition, "Come for Peace" (Hunan Satellite TV) shows chinese peacekeepers’s great contribution to building a community of human destiny, showing the good image and youthful demeanor of peacekeeping officers and soldiers, with an average audience rating of 0.300% for each episode; Based on the stories of teachers in different teaching positions, The Mentor (CCTV9) reflects the professional feelings of people’s teachers who are moral and devoted to education. The average audience rating of each episode is 0.155%.

Domestic cartoon

Leading the mainstream of broadcasting and viewing

This month, the national satellite TV channel broadcast 178 domestic cartoons, accounting for 95.7% of the total number of cartoons broadcast; There are 8 non-domestic cartoons, involving 6 countries and regions, and the top 20 cartoons in ratings are all domestic. The average ratings of cartoons recommended by SARFT this month are 51.8% higher than those of non-recommended cartoons. The average arrival rate of each episode is 58.8% higher than that of non-recommended cartoons.

public service announcement

Rich themes and large amount of broadcasts

In September, the public service advertisement "Commemorating the 75th anniversary of the victory of the Anti-Japanese War" was broadcast on September 3 and September 18, and 194 advertisements were broadcast in just two days, leading the audience to remember the martyrs and remember the history. The public service advertisement of "Getting rid of poverty and tackling difficulties" continued to encourage the propaganda of "Decisively winning a well-off society in an all-round way and fighting poverty and tackling difficulties", with more than 10,000 articles broadcast, which was the most broadcasted theme this month, with an average audience rating of 0.118%. There are 146 public service advertisements for Teachers’ Day broadcast on 7 channels, each with an average audience rating of 0.130%. With warm feelings, they send holiday wishes to teachers who teach and educate people. In addition, a number of public service advertisements advocate the beauty of reading, promote the virtue of being eager to learn, shape the soul of role models, and guide students to buckle the "first button" in life during the school season.

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汽车之家车主表示：“车内空间大，驾驶感高，动力可以，外观大气。”这款eπ008不仅在空间和驾驶体验方面表现出色，还拥有强劲的动力和大气的外观设计，满足了不同用户的需求。

Special feature of 1905 film network "For our generation of creators, the impact of Hong Kong films, especially those in the golden age, is just like Shakespeare’s plays and Jin Yong’s literature, which are buried in our blood and cannot be separated."

The director’s memories of Hong Kong and Hong Kong movies are those hot summer days spent in the video hall, the eldest brother who was playing drunken boxing in the video, and even more, he opened up a "dream-like" place that he imagined infinitely.

After becoming a director, Chen Sicheng has integrated his deep feelings for Hong Kong films into his own creation. The former "Hong Kong film fan" has become a new inheritor of Hong Kong film culture. The "Tang Exploring the Universe" initiated by him not only left traces of classic Hong Kong films in many bridges, but also specially invited his childhood idols to join in.

In the latest program of "Celebrating the 25th Anniversary of Hong Kong’s Return to the Motherland Together", Chen Sicheng also shared his unchanging love and pride for Hong Kong movies from fans to film creators.

Self-proclaimed "shadowy" creator　"Hong Kong movies grow with us"

In the 1980s and 1990s, Hong Kong films experienced a golden period of vigorous development, and numerous excellent films emerged one after another. As a generation who grew up with Hong Kong films, Chen Sicheng bluntly said that the influence of Hong Kong films on the filmmakers he belongs to is "innate", "deeply rooted in the blood" and "inseparable".

In his memory, all his childhood happiness comes from the small video hall on the street in his hometown of Shenyang. "At that time, we began to have more ways to get movie resources. During the summer vacation, my leisure and entertainment way was to rent videos and take five or six thick discs home."

Like all the fans who came into contact with these classic works in the golden age of Hong Kong movies, Chen Sicheng was "hungry" to learn about that "dream-like place" through one story after another.

Jackie Chan’s kung fu classic, a series of comedies, the director’s series and so on … … These works, which influenced the whole of Asia and even the whole world at that time, were a cultural baptism for young people who loved movies.

"Just like Shakespeare’s plays and Jin Yong’s literature, Hong Kong movies have a great influence on me in the field of film and television creation." Since then, Chen Sicheng has also become a "loyal Hong Kong movie fan".

The filmmakers of the two places communicate with each other.　"Hong Kong movies are the pride of China people."

Counting Chen Sicheng’s works after the director’s transformation, it is not difficult to find out the deep feelings of this "shadowy" creator for Hong Kong movies, no matter from the plot or the film creation level.

For example, Tang Ren and Qin Feng, partners in the series, were inspired by Plan A to some extent. Tang Ren, who plays the role of Tang Ren, is not only a punch in the film, but also a comedy in the plot. This kind of character setting is influenced by the kung fu comedy film led by Jackie Chan.

Not only Chen Sicheng, but also many directors in Hollywood and overseas, you can also find the traces left by Hong Kong films in his works.

In order to satisfy his long-term wish as a movie fan, Chen Sicheng also "used" the identity of the director to seek a wave of benefits for himself: "My greatest advantage is that I can cooperate with my former idols and predecessors through the creative process."

In the first directorial debut, Chen Sicheng invited his favorite idol; Previously released, they also made surprise appearances in eggs, and Yuan Wah and Qin Pei also appeared in this series of works.

These dream linkages are the epitome of the active cooperation between Hong Kong and mainland filmmakers. Nowadays, more and more Hong Kong directors are beginning to try different types of films, and stories from the mainland are also touching more Hong Kong compatriots through movies.

On the 25th anniversary of Hong Kong’s return to the motherland, the film exchanges between the two places have become increasingly close. Hong Kong films also promote the diversified development of China films with their unique style.

Chen Sicheng bluntly said that it is difficult and unnecessary to distinguish between Hong Kong and the Mainland. Tsui Hark and other directors have made great breakthroughs in the creation of new mainstream films: "I think this is a particularly good form of learning from each other and learning from each other’s strengths."

In the future, Chen Sicheng hopes to have more opportunities to inherit the best qualities of Hong Kong films and Hong Kong filmmakers, as well as their imagination of genre films. "The return of Hong Kong is the return of all cultures, but also the return of movies. The pride of Hong Kong is the pride of all China people." Chen Sicheng said, "I hope that through our joint efforts, Hong Kong films will be created again and Chinese films will be even more brilliant."